SOLO EXHIBITIONS
2011 – “Studio Notes”; Drawings, and Ceramic Sculpture. Curated
By Siochain Hughes at Hunter College.
2009 - "Recent Sculpture and Paintings on Paper” Andre Zarre Gallery, New York, NY
1998- "The Mind is An Ancient City" "Invitational 99" exhibition at Nassau Community College
An installation of Sculpture, Painting, and Poetry. Reviewed in the NY Times.
1994- "The Poetry Palace", Common Ground Arts Conference, Hauppauge, NY. In collaboration
with New York State poets. Over the course of the conference, I built an architectural installation made of wood
and found objects, while the poets spontaneously graffitied and posted their poetry. Curated by Greg McCaslin
1993 - "Dunedin Deluxe", Dunedin, New Zealand. A 90’ by 90’ architectural environment. An arch, waterfall, and tide
pools positioned on the ground floor atrium of a modern building In collaboration with the professors and students
of Otago Polytechnic. Reviewed in Dunedin Newspapers and on New Zealand Public Radio
"Personal Icons," Mills Pond House, St. James, NY. A 12’ high Trojan Horse made of ceramics and found objects.
Reviewed in the NY Times. . Curated by Norma Cohen
1992 - ''Toll Free, Independent Artists International " “Gateway to the East”, Stadtlengsfeld, Germany.; an arch made of porcelain
commemorating the fall of the Berlin Wall , Curated by Maciej Wisniewski.
“Fragment from a Dream Untold,” a ceramic sculpture installation at Hunter College, New York, NY
SELECTED GROUP EXHIBITIONS
2018 – “The Greatest Show on Earth,” Sideshow Gallery, Brooklyn, NY
2017 – “Through the Rabbit Hole,” Sideshow Gallery
2015 - “Framed” Holland Tunnel Gallery, Brooklyn, NY Curated by Paulien Lethen
2009 - "It's a Wonderful Life", Sideshow Gallery, Brooklyn, NY
2007 - "B(last)", Holland Tunnel Gallery, Brooklyn, NY,
2006 - "181st Invitational Exhibition, An Invitational of Contemporary American Art”, The National Academy of Design, New York, NY
- "Black & White", Holland Tunnel Gallery, Brooklyn, NY
2002 - "Collaborations", a Silent Auction Dieu Donne Papermill, New York, NY
2000 -"Many Colored Artworks: Small Works", Queens Museum of Art, Queens, NY
1998- “The Fourth Independents Biennial”, Charas/ El Bohio, New York, NY.
1996 – “Reigning Cats and Dogs,” Dieu Donne Papermill, New York, NY..
- "Arts Initiative", Westbeth Gallery, New York, NY.-
1995 - "Inspiration Installation," Boricua College, Brooklyn, New York, NY.
- "Lotsa Clay IV," The Clay Studio, Philadelphia, PA.-
1993 "Traces, Proposals, Plans and Documents," Austin Peay State University,
Clarksville, Tennessee. Curated by Billy Renkl.
1991 – National Museum of Ceramic Art, Baltimore, MD. “National Invitational” Curated by William Daley and Frederick Brandt
- "Vertical Constructions", 14 Sculptors Gallery, New York, NY
Reviews
- Halasz, Piri, " Cornucopia in Williamsburg," From The Mayor's Doorstep On-Line Magazine Article, June-July 2008
- Esplund, Lance, "The Academy Hedges Its Bets" The New York Sun, May 18, 2006
- Braff, Phyllis, "Visual Voices of Many Cultures and Media”, New York Times "Invitational", The Firehouse Gallery, Nassau Community College, Garden City, L.I.
- Harrison, Helen A., "Personal lcons; 3 Sculptors: Exploring Space", New York Times, May 9, 1993, LI Section, P. 19.
* Wix, Elizabeth, "Personal Icons by Experimental Artists," New York Newsday, April 30, 1993, P.96.
* "The Dunedin Deluxe", Otago Daily times, May 25, 1993, P.20
- Moller, Susan, "Workshop in Freinen," Freis Wort Aug.13,1992
- Pasch, Rolf "Nie Gedacht, dass es so schon ist", STZ Rhonkurier Aug.13,1992
- Pantalone, Joseph, "Paper is as Paper Does," Newport This Week, March 9,1989
Kate F Jennings, “Sculpture Is At the Fore In Northeast Artists Exhibition ”, New Haven Register, Aug.14,1988
PUBLIC COLLECTIONS
- Volunteer Lawyers for the Arts, New York, NY,
- Arizona State University Museum, Ceramics Collection,
- The Berg Clinic, Stadtlengsfeld Germany,
- Otago Polytechnic, Dunedin, New Zealand
Sculpture Illustrated in Books
- Peterson, Susan “Working With Clay”, 1998, The Overlook Press, Woodstock, NY., “Tragic-Comic King,” P. 167
- Peterson Susan “The Craft & Art of Clay,” 1996, The Overlook Press, Illustrated, “Ovid’s Threshold,” a terracotta arch.
Catalogues
“181st Annual, An Invitational of Contemporary America Art at
The National Academy Museum,” Catalogue, 2006, Essay by Nancy Malloy,
"A 'Toll Free' Call for New History," Independent Artist International, Catalog Essay by Nancy Eder, 1993
“Traces, Proposals, Plans and Documentations,” Austin Peay State University, TN, catalogue essay by Billy Renkl
Malloy, Nancy, “Personal Icons- Three Sculptors Exploring Space, “ Mill Pond House, St. James, LI., Catalogue” Essay,
Solomon, Holly- “Queens Museum Annual, 1986 Exhibition”, Catalogue Essay, Queens, Museum, NY 1986
Awards and Honors
- Residency, Otago Polytechnic, Dunedin, New Zealand, work, lecture & installation, 1993
- First Prize, Sculpture, Brooklyn Arts & Culture Council Arts Festival, Brooklyn, NY, 1993
- Residency, Rhon Porcelain Factory, Stadtlengsfeld, Germany; Independent Artists International
EDUCATION:
- Master of Fine Arts in Ceramic Sculpture, Hunter College, New York, NY, 1992.
- CUNY BA in Art and Religion, Hunter College, New York
- Painting assistant to Al Held,
- Painting assistant to Bill Conlon